{"id":17,"date":"2013-12-16T22:05:00","date_gmt":"2013-12-16T22:05:00","guid":{"rendered":"https:\/\/lidaprypchan.org\/?p=17"},"modified":"2015-06-08T22:05:38","modified_gmt":"2015-06-08T22:05:38","slug":"georgia-okeeffe","status":"publish","type":"post","link":"https:\/\/lidaprypchan.org\/?p=17","title":{"rendered":"Georgia O\u2019Keeffe"},"content":{"rendered":"<div style=\"clear: both; text-align: center;\"><a style=\"margin-left: 1em; margin-right: 1em;\" href=\"https:\/\/4.bp.blogspot.com\/-jaIM50djRa0\/Uq947RK5rsI\/AAAAAAAASEc\/fx74rzvUft8\/s1600\/O%2527Keeffe-%2528hands%2529.jpg\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/4.bp.blogspot.com\/-jaIM50djRa0\/Uq947RK5rsI\/AAAAAAAASEc\/fx74rzvUft8\/s1600\/O%2527Keeffe-%2528hands%2529.jpg\" alt=\"\" width=\"504\" height=\"640\" border=\"0\" \/><\/a><\/div>\n<div><b>\u00a0<\/b><\/div>\n<div><b><span style=\"font-family: Georgia, Times New Roman, serif; font-size: large;\">By Lida Prypchan\u00a0<\/span><\/b><\/div>\n<div><b><span style=\"font-family: Georgia, Times New Roman, serif; font-size: large;\">\u00a0<\/span><\/b><\/div>\n<div>\n<div dir=\"ltr\" style=\"line-height: 1; margin-bottom: 0pt; margin-top: 0pt;\"><span style=\"vertical-align: baseline;\"><span style=\"font-family: Georgia, Times New Roman, serif; font-size: large;\">Georgia O\u2019Keeffe is best known for her representations of the southwest, particularly the color and texture of the landscape and the way of life in New Mexico. More controversial are her paintings of flowers that are interpreted by some as being reflections of women\u2019s sexuality, although O\u2019Keeffe herself denied that she had any intention of painting more than her observation of the blooms themselves. <\/span><\/span><\/div>\n<p><span style=\"font-family: Georgia, Times New Roman, serif; font-size: large;\">\u00a0<\/span><\/p>\n<div dir=\"ltr\" style=\"line-height: 1; margin-bottom: 0pt; margin-top: 0pt;\"><span style=\"vertical-align: baseline;\"><span style=\"font-family: Georgia, Times New Roman, serif; font-size: large;\">O\u2019Keeffe was exposed to the art world initially as a result of her association with a well-known photographer, Alfred Stieglitz, whose gallery displayed her early works \u2013 initially just charcoal drawings one of her friends sent on to him. In 1917, he did his first exhibition of her work and she made her first trip to New Mexico, which became her true love throughout her life. Stieglitz and O\u2019Keeffe married in 1924 after five years during which they wrote to one another. She was 36, well educated, fiercely independent and opinionated, and he was 59, recently divorced, with a special needs daughter. He is documented as being fascinated with O\u2019Keeffe\u2019s persona, making her a public figure despite the fact she made few public appearances.<\/span><\/span><\/div>\n<p><span style=\"font-family: Georgia, Times New Roman, serif; font-size: large;\">\u00a0<\/span><\/p>\n<div dir=\"ltr\" style=\"line-height: 1; margin-bottom: 0pt; margin-top: 0pt;\"><span style=\"font-family: Georgia, Times New Roman, serif; font-size: large;\"><span style=\"vertical-align: baseline;\">He displayed her art continually in his galleries, making her a pillar of his success in the modern art world. In 1932 at the age of 45, O\u2019Keeffe was hospitalized and sent to Bermuda to from what was in those days characterized as a \u201cnervous breakdown\u201d or more formally, \u201cpsychoneuroses.\u201d After hospitalization and not painting for more than a year, she resumed her career but with a greater emphasis on the images she was gathering on her increasingly frequent and extended trips to New Mexico. There is speculation about O\u2019Keeffe\u2019s suffering and resulting mental health treatment but the two primary explanations are: She missed a deadline for completion of a mural that was to grace Radio City Music Hall in New York City, a costly failure, and Steiglitz remained married to her but began an affair with a much younger woman that lasted more than a decade and ended only when he died. Many of the photos Steiglitz took were nudes and caused a sensation in the art world when shown at a retrospective of his work in 1921. \u201cHe photographed me until I was crazy,\u201d O&#8217;Keeffe is quoted as saying. Dorothy Norman was married, barely an adult and 18 years younger than O\u2019Keeffe when she became Steiglitz\u2019 new fascination. He saw little of O\u2019Keeffe between 1932 and 1935. He was aware that his chronically mentally ill daughter, Kitty, just seven years older than Norman, and O\u2019Keeffe could compare their experiences with him since he left his wife and daughter for O\u2019Keeffe. &#8221;At times I feel like a murderer,&#8221; Stieglitz said in an interview. &#8221;There is Kitty, and now there is Georgia.&#8221; O\u2019Keeffe and Stieglitz exchanged 25,000 pieces of paper between 1915 and 1946. After his death, O\u2019Keeffe\u2019s managed Stieglitz\u2019 estate, moved to New Mexico permanently and began to do her own exhibitions of her art work, contributing commentary to two biographies and becoming more personally visible as she aged. <\/span><span style=\"background-color: white; vertical-align: baseline;\">In 1949, O&#8217;Keeffe was the subject of a\u00a0<\/span><span style=\"background-color: white; font-style: italic; vertical-align: baseline;\">Vogue<\/span><span style=\"background-color: white; vertical-align: baseline;\">\u00a0feature story with photographs taken by Cecil Beaton. Ansel Adams, Todd Webb and Arnold Newman also photographed her, creating a much bigger picture of O\u2019Keeffe than the one presented initially exclusively by Stieglitz. In 1971, O\u2019Keeffe lost most of her vision but continued to work, with and without assistance, until 1984 with different mediums. O\u2019Keeffe died at the age of 98, after receiving a Medal of Arts from President Ronald Reagan and a Medal of Freedom from President Gerald Ford.<\/span><\/span><\/div>\n<p><span style=\"font-family: Georgia, Times New Roman, serif; font-size: large;\">\u00a0<\/span><\/p>\n<div dir=\"ltr\" style=\"line-height: 1; margin-bottom: 0pt; margin-top: 0pt;\"><span style=\"background-color: white; vertical-align: baseline;\"><span style=\"font-family: Georgia, Times New Roman, serif; font-size: large;\">Sources:<\/span><\/span><\/div>\n<div dir=\"ltr\" style=\"line-height: 1; margin-bottom: 0pt; margin-top: 0pt;\"><span style=\"font-family: Georgia, Times New Roman, serif; font-size: large;\"><span style=\"background-color: white; vertical-align: baseline;\">Georgia O\u2019Keeffe Museum, <\/span><a style=\"text-decoration: none;\" href=\"http:\/\/www.okeeffemuseum.org\/\"><span style=\"background-color: white; color: blue; text-decoration: underline; vertical-align: baseline;\">www.okeeffemuseum.org<\/span><\/a><\/span><\/div>\n<div dir=\"ltr\" style=\"line-height: 1; margin-bottom: 0pt; margin-top: 0pt;\"><span style=\"font-family: Georgia, Times New Roman, serif; font-size: large;\"><span style=\"background-color: white; vertical-align: baseline;\">Georgia O\u2019Keeffe \u201cAbout the Painter,\u201d 2006, PBS, <\/span><a style=\"text-decoration: none;\" href=\"http:\/\/www.pbs.org\/wnet\/americanmasters\/episodes\/georgia-okeeffe\/about-the-painter\/55\/\"><span style=\"background-color: white; color: blue; text-decoration: underline; vertical-align: baseline;\">http:\/\/www.pbs.org\/wnet\/americanmasters\/episodes\/georgia-okeeffe\/about-the-painter\/55\/<\/span><\/a><\/span><\/div>\n<div dir=\"ltr\" style=\"line-height: 1; margin-bottom: 0pt; margin-top: 0pt;\"><span style=\"font-family: Georgia, Times New Roman, serif; font-size: large;\"><span style=\"background-color: white; vertical-align: baseline;\">The Metropolitan Museum of Art, <\/span><a style=\"text-decoration: none;\" href=\"http:\/\/www.metmuseum.org\/toah\/hd\/geok\/hd_geok.htm\"><span style=\"background-color: white; color: blue; text-decoration: underline; vertical-align: baseline;\">http:\/\/www.metmuseum.org\/toah\/hd\/geok\/hd_geok.htm<\/span><\/a><\/span><\/div>\n<div dir=\"ltr\" style=\"line-height: 1; margin-bottom: 0pt; margin-top: 0pt;\"><span style=\"font-family: Georgia, Times New Roman, serif; font-size: large;\"><span style=\"background-color: white; vertical-align: baseline;\">Georgia O\u2019Keeffe, Biography, The Biography Channel, <\/span><a style=\"text-decoration: none;\" href=\"http:\/\/www.biography.com\/\"><span style=\"background-color: white; color: blue; text-decoration: underline; vertical-align: baseline;\">www.biography.com<\/span><\/a><\/span><\/div>\n<div dir=\"ltr\" style=\"line-height: 1; margin-bottom: 0pt; margin-top: 0pt;\"><span style=\"font-family: Georgia, Times New Roman, serif; font-size: large;\"><span style=\"background-color: white; vertical-align: baseline;\">Georgia O\u2019Keeffe, <\/span><a style=\"text-decoration: none;\" href=\"http:\/\/www.georgiaokeeffe.net\/\"><span style=\"background-color: white; color: blue; text-decoration: underline; vertical-align: baseline;\">www.georgiaokeeffe.net<\/span><\/a><\/span><\/div>\n<div dir=\"ltr\" style=\"line-height: 1.1500000000000001; margin-bottom: 10pt; margin-top: 0pt;\"><span style=\"font-family: Georgia, Times New Roman, serif; font-size: large;\"><span style=\"background-color: white; vertical-align: baseline;\">The Letters Georgia O\u2019Keeffe Wrote to Close People, <\/span><a style=\"text-decoration: none;\" href=\"http:\/\/www.georgia-okeeffe.com\/letters.html\"><span style=\"color: blue; text-decoration: underline; vertical-align: baseline;\">www.georgia-okeeffe.com\/letters.html<\/span><\/a><\/span><\/div>\n<p><span style=\"font-family: Georgia, Times New Roman, serif; font-size: large;\"><br \/>\n<\/span><\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>\u00a0 By Lida Prypchan\u00a0 \u00a0 Georgia O\u2019Keeffe is best known for her representations of the southwest, particularly the color and texture of the landscape and the way of life in New Mexico. More controversial are her paintings of flowers that are interpreted by some as being reflections of women\u2019s sexuality, although O\u2019Keeffe herself denied that &hellip; <\/p>\n<p><a class=\"more-link btn\" href=\"https:\/\/lidaprypchan.org\/?p=17\">Continue reading<\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-17","post","type-post","status-publish","format-standard","hentry","category-uncategorized","nodate","item-wrap"],"_links":{"self":[{"href":"https:\/\/lidaprypchan.org\/index.php?rest_route=\/wp\/v2\/posts\/17","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/lidaprypchan.org\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/lidaprypchan.org\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/lidaprypchan.org\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/lidaprypchan.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=17"}],"version-history":[{"count":1,"href":"https:\/\/lidaprypchan.org\/index.php?rest_route=\/wp\/v2\/posts\/17\/revisions"}],"predecessor-version":[{"id":193,"href":"https:\/\/lidaprypchan.org\/index.php?rest_route=\/wp\/v2\/posts\/17\/revisions\/193"}],"wp:attachment":[{"href":"https:\/\/lidaprypchan.org\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=17"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/lidaprypchan.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=17"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/lidaprypchan.org\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=17"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}