{"id":126,"date":"2011-06-12T12:21:00","date_gmt":"2011-06-12T12:21:00","guid":{"rendered":"https:\/\/lidaprypchan.org\/?p=126"},"modified":"2015-07-19T21:55:34","modified_gmt":"2015-07-19T21:55:34","slug":"frances-woman-of-passion","status":"publish","type":"post","link":"https:\/\/lidaprypchan.org\/?p=126","title":{"rendered":"FRANCES \u2013 WOMAN OF PASSION"},"content":{"rendered":"<div style=\"clear: both; text-align: center;\"><a style=\"margin-left: 1em; margin-right: 1em;\" href=\"https:\/\/4.bp.blogspot.com\/-oCY-eTUrv-c\/Uhd03naKp5I\/AAAAAAAAR0Y\/CeIfq7sgcgM\/s1600\/frances_frontcover_large_Bzr6G9XfOCzpibh.jpg\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/4.bp.blogspot.com\/-oCY-eTUrv-c\/Uhd03naKp5I\/AAAAAAAAR0Y\/CeIfq7sgcgM\/s1600\/frances_frontcover_large_Bzr6G9XfOCzpibh.jpg\" alt=\"\" width=\"450\" height=\"640\" border=\"0\" \/><\/a><\/div>\n<div><span style=\"font-family: Georgia, Times New Roman, serif; font-size: large;\"><b>\u00a0<\/b><\/span><\/div>\n<div><span style=\"font-family: Georgia, Times New Roman, serif; font-size: large;\"><b>By Lida Prypchan:<\/b><\/span><\/div>\n<div><span style=\"font-family: Georgia, Times New Roman, serif; font-size: large;\">\u00a0<\/span><\/div>\n<div><span style=\"font-family: Georgia, Times New Roman, serif; font-size: large;\">Frances is an excellent movie from every point of view. \u00a0Directed by Graeme Clifford, it deals with the tragic life of Hollywood actress Frances Farmer, magnificently portrayed by Jessica Lange.<\/span><\/div>\n<div><span style=\"font-family: Georgia, Times New Roman, serif; font-size: large;\">\u00a0<\/span><\/div>\n<div><span style=\"font-family: Georgia, Times New Roman, serif; font-size: large;\">The life of this actress, although depressing and disturbing, leaves a valuable message, for both family and society, as well as for us as individuals. \u00a0This is an interesting message for analysis, though before starting, I must comment that I found the title rather inadequate since it does not convey the profound psychological and social nature of the subject matter dealt with in this film.\u00a0<\/span><\/div>\n<div><span style=\"font-family: Georgia, Times New Roman, serif; font-size: large;\">\u00a0<\/span><\/div>\n<div><span style=\"font-family: Georgia, Times New Roman, serif; font-size: large;\">The plot evolves in the United States, in Seattle, Hollywood and Washington, and takes place around the year 1940. \u00a0Frances Farmer, a beautiful woman with an engaging personality, restless, impulsive, na\u00efve and rebellious, spontaneous and intelligent, is the only daughter of a genial and permissive yet indifferent father and of a domineering, mentally disturbed mother who is unsympathetic in the extreme. A frustrated actress, her mother cannot stand being a \u201cMrs. Nobody\u201d. \u00a0Hence, she projects her desire to become an actress on to her daughter, contributing greatly to the destruction of her life.<\/span><\/div>\n<div><span style=\"font-family: Georgia, Times New Roman, serif; font-size: large;\">\u00a0<\/span><\/div>\n<div><span style=\"font-family: Georgia, Times New Roman, serif; font-size: large;\">At the age of 16, Frances writes a paper on atheism, reads it at school and is repudiated by those present. \u00a0The only one who rises, applauding passionately, is her mother, possibly motivated by her need to stand out and be noticed through the person of her daughter. \u00a0At this time, and throughout Frances\u2019 life, a journalist named Harry York is in love with her, ever present to share her difficulties. \u00a0We gather from this movie\u2019s view of her life, that the one and only human being who ever truly loved and believed in her was this journalist.<\/span><\/div>\n<div><span style=\"font-family: Georgia, Times New Roman, serif; font-size: large;\">\u00a0<\/span><\/div>\n<div><span style=\"font-family: Georgia, Times New Roman, serif; font-size: large;\">Frances gets a contract in Hollywood. \u00a0Once again she is in the news. \u00a0She plays parts which, although mediocre, make her famous. \u00a0Her mother enjoys life and shines. \u00a0Frances breaks her Hollywood contract before it runs out, because she is offered an interesting part in a play. \u00a0She falls in love with the writer of the play, an intelligent man with whom she can hold a real conversation. \u00a0But he is married and abandons her, leaving only a short note with two miserable lines of explanation. \u00a0Then the director of the company informs her that she no longer has the part because they were able to get a rich actress who\u2019s going to finance the play. \u00a0What conclusion can we draw from this episode? \u00a0That she was extremely na\u00efve. \u00a0She didn\u2019t for a moment stop to think that she was caught between two materialistic strangers in a corrupt medium, who did not care whom they deceived. \u00a0What could she expect, anyway, falling in love with a married man? \u00a0She could only hope to be his passionate lover on a temporary basis, without any claim on him.<\/span><\/div>\n<div><span style=\"font-family: Georgia, Times New Roman, serif; font-size: large;\">\u00a0<\/span><\/div>\n<div><span style=\"font-family: Georgia, Times New Roman, serif; font-size: large;\">She returns to Hollywood in a state of depression. \u00a0Stress, alcohol and amphetamines \u2013 this is how she passes her days. \u00a0On two occasions she is arrested. \u00a0The first, for hitting a policeman without apparent reason. \u00a0The second, for injuring a studio hairdresser who treated her with contempt. \u00a0This last episode costs her six months in prison, but before her sentence is finished, her mother gets the court\u2019s permission to have her transferred to a private psychiatric clinic from which she flees with the journalist. \u00a0He proposes marriage to her, but she refuses. \u00a0She returns home and finds that she does not have any rights as a citizen under the law. \u00a0She tells her mother she would like to live in the country, but her mother denies her request, telling her that she must return to Hollywood. \u00a0They argue and Frances runs away. \u00a0The mother has her committed to a lunatic asylum (a state mental hospital). \u00a0There, one can see the crowding, the abuse, the now obsolete straitjacket, electorshock therapy without anesthesia, lobotomy (now no longer performed) and the inhumane trading of the sick women to sailors by the nurses. \u00a0What is important to note, is that psychiatry today does not even remotely resemble what it used to be. As it has changed drastically since 1952 with the discovery of neuroleptic drugs. \u00a0From that year, the use of straitjackets, lobotomies and insulin shock therapy declined. \u00a0As for electroshock, this continues to be used, but only in cases of endogenous depression which do not respond to treatment by antidepressants. \u00a0Nowadays, however, it is only used under anesthesia.<\/span><\/div>\n<div><span style=\"font-family: Georgia, Times New Roman, serif; font-size: large;\">\u00a0<\/span><\/div>\n<div><span style=\"font-family: Georgia, Times New Roman, serif; font-size: large;\">As a result of her lobotomy, Frances leaves the mental hospital deprived of her former passion for life. \u00a0Even though her mother has died, she returns to Hollywood, perhaps fulfilling that woman\u2019s fateful intent. \u00a0She makes one last movie and at the age of 56, with nobody at her side, she dies.<\/span><\/div>\n<div><span style=\"font-family: Georgia, Times New Roman, serif; font-size: large;\">\u00a0<\/span><\/div>\n<div><span style=\"font-family: Georgia, Times New Roman, serif; font-size: large;\">Her life story demonstrates how family, instead of helping, may destroy a person such as Frances, who evidently suffered from behavioral disorders, possible an abnormality inherited from her mentally disturbed mother.<\/span><\/div>\n<div><span style=\"font-family: Georgia, Times New Roman, serif; font-size: large;\">\u00a0<\/span><\/div>\n<div><span style=\"font-family: Georgia, Times New Roman, serif; font-size: large;\">We see the error in her mother\u2019s attitude toward life &#8211; to vehemently desire that her daughter should be what she herself could not be \u2013 an attitude which is certainly not uncommon in parents.<\/span><\/div>\n<div><span style=\"font-family: Georgia, Times New Roman, serif; font-size: large;\">\u00a0<\/span><\/div>\n<div><span style=\"font-family: Georgia, Times New Roman, serif; font-size: large;\">Frances\u2019 life shows us that one can indeed be oneself, but that one must be intelligent about it and know the hows, the whens and the wheres. \u00a0Inexplicable, impulsive behavior and lack of control are in no way beneficial.<\/span><\/div>\n<div><span style=\"font-family: Georgia, Times New Roman, serif; font-size: large;\">\u00a0<\/span><\/div>\n<div><span style=\"font-family: Georgia, Times New Roman, serif; font-size: large;\">Such was Frances, a product of her heredity, of her frustrated and unsympathetic mother, and the hostile and harsh environment of Hollywood. \u00a0Frances, a hypersensitive, defenseless, unbalanced, troubled woman\u2026a woman who died as she was born, alone.<\/span><\/div>\n","protected":false},"excerpt":{"rendered":"<p>\u00a0 By Lida Prypchan: \u00a0 Frances is an excellent movie from every point of view. \u00a0Directed by Graeme Clifford, it deals with the tragic life of Hollywood actress Frances Farmer, magnificently portrayed by Jessica Lange. \u00a0 The life of this actress, although depressing and disturbing, leaves a valuable message, for both family and society, as &hellip; <\/p>\n<p><a class=\"more-link btn\" href=\"https:\/\/lidaprypchan.org\/?p=126\">Continue reading<\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-126","post","type-post","status-publish","format-standard","hentry","category-uncategorized","nodate","item-wrap"],"_links":{"self":[{"href":"https:\/\/lidaprypchan.org\/index.php?rest_route=\/wp\/v2\/posts\/126","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/lidaprypchan.org\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/lidaprypchan.org\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/lidaprypchan.org\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/lidaprypchan.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=126"}],"version-history":[{"count":2,"href":"https:\/\/lidaprypchan.org\/index.php?rest_route=\/wp\/v2\/posts\/126\/revisions"}],"predecessor-version":[{"id":271,"href":"https:\/\/lidaprypchan.org\/index.php?rest_route=\/wp\/v2\/posts\/126\/revisions\/271"}],"wp:attachment":[{"href":"https:\/\/lidaprypchan.org\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=126"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/lidaprypchan.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=126"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/lidaprypchan.org\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=126"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}